A two-hour in-depth exploration into the Hollywood musicals of the 1930s.

The history of Hollywood musical movies, from the very beginning until the 21st century, hosted by Shirley Jones.

Documentary looking at the history of Hollywood musicals in the 1960s. This decade saw independent film companies becoming more prominent as the bigger Hollywood studios, who produced the mainstream musicals, experienced a decline. This brought the emergence of more realistic story lines and the use of contemporary music like rock 'n' roll. This programme features songs from the musicals 'West Side Story' (1961), 'The Music Man' (1962), 'Mary Poppins' (1964), 'The Umbrellas of Cherbourg' (1964), 'Funny Girl' (1968), 'Oliver!' (1968) and 'Sweet Charity' (1969).

This is a two-hour in-depth exploration into the Hollywood musicals of the 1940s.

During the 1950s, musical masterpieces that have yet to be equaled were produced in Cinemascope with stereophonic sound. These two episodes explore how the post-war years were alive with bold experimentation in musical film. Later in the decade, Rock & Roll became the musical choice of the younger generation and movie musicals followed suit. Highlights of this 2-part program include: Films based on smash Broadway musicals become the rage. A pretty starlet with no musical training named Marilyn Monroe takes the country by storm in "Gentlemen Prefer Blondes." With favorites from the previous decade continue to delight audiences: Rock & Roll films, songs and musical numbers.

In the 1980s we got our MTV but seemed to have lost much of the musical film in the process. But the genre is resilient. A handful of masterpieces along with a few cult classics emerged from this decade. In the 1990s the Hollywood musical was largely animated, rather than live action. However, television had a surprising number of musical offerings, including “Gypsy” with Bette Midler and “Annie” which launched director Rob Marshall. In the 2000s musicals came back starting with “Moulin Rouge” and carrying on with “Chicago,” “Dreamgirls” and “Hairspray.” There are movies based on Broadway triumphs and once again there are teens singing and dancing.

Freed at last by death from tyranny of an elderly, querulous mother, Esme Fanshaw is persuaded to take a man, Amos Curry, into her house as a paying guest. At first wary of him, Esme becomes increasingly fond of this dapper little man with his mysterious summer occupation. When she finally learns the nature of this occupation she is at first shocked then sympathetic.

The story of a young composer and his relationship with a fiery opera star over the course of several decades.

A short film based on Charles Baudelaire's poem "Le serpent qui danse" ("The Dancing Snake"), from his book Les Fleurs du mal.

A made-for-TV retelling of the story "The Twelve Dancing Princesses," directed by Ben Rea, featuring Jim Dale as the Soldier, Freddie Jones as the destitute King, and Gloria Grahame as the Witch. Significant changes were made to the story, including reducing the number of princesses to six, and the soldier ultimately declining to marry any of the princesses due to their deceitful nature.